Michael Bierut

“Design is meaningless unless it's having the intended effect or the unintended effect on other people.”

0032 ∙ Michael Bierut ∙ source ↗

Milton Glaser

“What the students get from a good teacher is not instruction. What they get is a demonstration of someone's view of life. I mean, that's what you teach — you teach a way of perceiving the world.”

0031 ∙ Milton Glaser ∙ source ↗

Paula Scher

“I'm driven by the hope that I haven't made my best work yet.”

0030 ∙ Paula Scher ∙ source ↗

John Maeda

“We can't help but love complexity. We're human beings: we love complex things.”

0029 ∙ John Maeda ∙ source ↗

Taylor Levy

“A great tool is one that just makes you feel happier than you did before you were using it.”

0028 ∙ Taylor Levy ∙ source ↗

Jony Ive

“Simplicity isn't about removing clutter — you just end up with an uncluttered product. A desiccated, soulless product.”

0027 ∙ Jony Ive ∙ source ↗

Jeanne Gang

“Whenever I start a project, I'm thinking about: what do we need to feel when we walk inside?”

0026 ∙ Jeanne Gang ∙ source ↗

Elizabeth Diller

“We've come from being a society that is paranoid about being observed to a society that is… paranoid that nobody's watching.”

0025 ∙ Elizabeth Diller ∙ source ↗

Erik Spiekermann

“The success of the iPod, iPhone and so on is that it is a product, but above all a system, and behind the system, a service, first and foremost.”

0024 ∙ Erik Spiekermann ∙ source ↗

Yves Béhar

“The more it’s simple, the harder it is to make... that’s a lot more work than sometimes people are willing to take on.”

0023 ∙ Yves Béhar ∙ source ↗

Ian Spalter

“Getting really far out of your comfort zone… kind of rewires your brain.”

0022 ∙ Ian Spalter ∙ source ↗

Jonathan Hoefler

“One of the things I learned from designers like Paula and Louise is that good type doesn’t come from the computer — it comes from the culture.”

0021 ∙ Jonathan Hoefler ∙ source ↗

Sandy Powell

“The most interesting films that take the biggest risks are the ones with the least amount of money — because people who’ve got lots of money don’t want to risk spending lots of money on a filmmaker taking a risk.”

0020 ∙ Sandy Powell ∙ source ↗

Jenova Chen

“I say the best design is invisible nudge... the best way is to just apply a tiny little pressure that they don’t even notice, right? And then they lean forward and they fall into it.”

0019 ∙ Jenova Chen ∙ source ↗

Zaha Hadid

“I don’t like the word compromise... I’ve known for a long time that as long as I maintain the central idea to the project and I can adjust the work to suit.”

0018 ∙ Zaha Hadid ∙ source ↗

Konstantin Grcic

“I didn’t realize that the root of the word object is really that something is thrown in your way… objects are not just unobtrusive, blending into our environment.”

0017 ∙ Konstantin Grcic ∙ source ↗

Virgil Abloh

“My greatest design tool personally is to look what that genre is doing and make it 3 to 5% different.”

0016 ∙ Virgil Abloh ∙ source ↗

Tina Roth-Eisenberg

“Confidence is always about yourself while enthusiasm is about something else... confidence is impressive while enthusiasm is infectious... confidence is serious while enthusiasm is fun and fun wins”

0015 ∙ Tina Roth-Eisenberg ∙ source ↗

Robert Brunner

“Technology enables but design establishes.”

0014 ∙ Robert Brunner ∙ source ↗

Natasha Jen

“Beauty is actually intelligence — beauty is precision — beauty is not decoration”

0013 ∙ Natasha Jen ∙ source ↗

Christoph Niemann

“Pursuing dead ends is your creative life insurance… it’s almost like becoming a professional soccer player — if you come home from practice 10 times in a row without a single bloody knee, you’re doing something wrong.”

0012 ∙ Christoph Niemann ∙ source ↗

Paula Scher

“The logo is recognizable not because of the arc, not because of the typeface, but because of the ubiquitousness... you see them everywhere... That’s how big companies get known.”

0011 ∙ Paula Scher ∙ source ↗

Susan Kare

“People at tech companies who are designing tend to look at images from other tech companies... there’s just hobo signs and engravings and all that source material that maybe just can spur you to think a little bit more outside the valley”

0010 ∙ Susan Kare ∙ source ↗

Muriel Cooper

“One of the questions that you have to ask yourself is whether who does the driving? Do you, do we? Does the machine, where does the agent fit in this?”

0009 ∙ Muriel Cooper ∙ source ↗

Debbie Millman

“Confidence is overrated... What’s more important than confidence is courage. Confidence comes from the repeated endeavor... how could you expect to have confidence in something you don’t know how to do?”

0008 ∙ Debbie Millman ∙ source ↗

Michael Bierut

“No one secretly wants a new logo. They all want someone else’s logo, or they want their old logo back.”

0007 ∙ Michael Bierut ∙ source ↗

Charles Eames

“I don’t remember ever being forced to accept compromises, but I have willingly accepted constraints.”

0006 ∙ Charles Eames ∙ source ↗

Milton Glaser

“The creation of a puzzle is one of the tools that you have to make people understand things... the likelihood is that they will remember and respond to it more than if they’re told something directly.”

0005 ∙ Milton Glaser ∙ source ↗

Paola Antonelli

“Form doesn’t follow function anymore... when you take something like an iPhone, until you turn it on and things happen, you don’t know what the function will be.”

0004 ∙ Paola Antonelli ∙ source ↗

John Maeda

“If you aren’t designing something that slightly ticks off people, it means you’re thinking too small.”

0003 ∙ John Maeda ∙ source ↗

Taylor Levy

“Making the thing in many different mediums helps you figure out actually what that thing is.”

0002 ∙ Taylor Levy ∙ source ↗

Jony Ive

“We spend all our time talking about attributes because we can easily measure them. Therefore this is all that matters. And that’s a lie.”

0001 ∙ Jony Ive ∙ source ↗